Date | Song | City | Timing | Notes |
---|---|---|---|---|
1995-06-13 | Foam | Maryland Heights, MO | 10:03 | Some great plucking and strumming by Trey. The band is so tight and locked on in this version. |
1995-06-13 | Reba | Maryland Heights, MO | 13:59 | Really cool and experimental playing from the jump. Trey scratches his way into the jam and synchs up with Mike to exchange a cool set of complimentary notes. This builds into a series of measured, effects-enhanced chords, and great full-band play, featuring quiet, contemplative exploration, and marked rhythmic shifts. Trey's soloing dazzles, as the band works to a characteristically strong peak. |
1997-08-06 | Runaway Jim | Maryland Heights, MO | 15:43 | Jam settles around 6:50 into some glorious melodic space, rebuilds around 10:00 with some nice blues licks, settles again, then morphs into a serious blues jam with a -> to "My Soul." |
1997-08-06 | Antelope | Maryland Heights, MO | 15:51 | Not way out there but has several sections that stretch beyond the typical structure, including a great "Makisupa" jam in the "Rocco" section with Page on theremin and Mike on a mini-drum. |
1998-07-29 | Gin | Maryland Heights, MO | 23:15 | Superb, legendary "Gin." An inspired, melodic "Type I" jam mutates into a thrilling, pulsing, tension-filled electro-rock groove. Many fans rank this "Gin" at, or very near the very top of all Phish jams of all time. Enough said. |
1998-07-29 | Buried Alive | Maryland Heights, MO | 13:56 | Unlikely jam vehicle opens Set II. The jam breaks beyond the standard into swirling and rocking playing, before settling into ambient space with periodic "Buried Alive" licks. |
1998-07-29 | Tube | Maryland Heights, MO | 10:00 | Excellent jam combining funk and ambience, making this version a good representation of the band's sound at this time. > to "Kung". |
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