Originally Performed By | Phish |
Appears On | |
Music/Lyrics | Anastasio/Marshall/Gordon/McConnell/Fishman |
Vocals | Trey (lead), Fish, Page (backing) |
Phish Debut | 1996-10-16 |
Last Played | 2021-08-28 |
Current Gap | 161 |
Historian | Dan Purcell ((sausagemahoney) |
Last Update | 2021-07-09 |
In early 1996, Phish went into the studio in Woodstock, NY to record its follow-up to Hoist. In an attempt to distance itself from Hoist’s L.A.-infected studio sheen, the band instead crafted a dense, layered improvisational swirl of music that eventually became known as "The Blob." Phish eventually rejected "The Blob" as too unfocused and meandering, but saved one small part of it for inclusion on Billy Breathes.
That small slice of The Blob is “Steep,” a rhythmic and melodic variation on the album’s preceding track, “Swept Away.” Where “Swept Away” is gentle and lilting, “Steep” is creepy; "Swept Away" is sung in three-part harmony, while "Steep"'s vocals are stated, not sung. In contrast to “Swept Away”'s effortless glide,“ Steep” jerks along in an unsettling, stop-and-start rhythm before ending with a tidal rush of bass effects that falls away into the album-closing arena-rock resolution of “Prince Caspian.” The live versions of the song take it a step further: they end with a blood-curdling scream, a 180-degree pivot away from the bucolic vibe of “Swept Away.”
As on Billy Breathes, “Steep” has always followed “Swept Away” when performed in concert. Phish frequently used the pairing as a second-set breather in the fall of 1996 and the spring of 1997, but the tandem has not appeared much since.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.